{"id":48,"date":"2022-02-05T11:41:34","date_gmt":"2022-02-05T11:41:34","guid":{"rendered":"http:\/\/ekbertfaas.net\/majorworks\/?p=48"},"modified":"2022-02-05T22:47:39","modified_gmt":"2022-02-05T22:47:39","slug":"towards-a-new-american-poetics-296pp-black-sparrow-press-1978","status":"publish","type":"post","link":"http:\/\/ekbertfaas.net\/majorworks\/?p=48","title":{"rendered":"<em>Towards a New American Poetics<\/em> (296pp) Black Sparrow Press, 1978"},"content":{"rendered":"<p><a href=\"http:\/\/ekbertfaas.net\/majorworks\/wp-content\/uploads\/2011\/08\/Towards-a-New-American-Poetics-inside-cover1.jpg\"><img loading=\"lazy\" class=\" wp-image-294 alignleft\" title=\"Towards a New American Poetics inside cover\" src=\"http:\/\/ekbertfaas.net\/majorworks\/wp-content\/uploads\/2011\/08\/Towards-a-New-American-Poetics-inside-cover1-659x1024.jpg\" alt=\"\" width=\"300\" height=\"466\" srcset=\"http:\/\/ekbertfaas.net\/majorworks\/wp-content\/uploads\/2011\/08\/Towards-a-New-American-Poetics-inside-cover1-659x1024.jpg 659w, http:\/\/ekbertfaas.net\/majorworks\/wp-content\/uploads\/2011\/08\/Towards-a-New-American-Poetics-inside-cover1-193x300.jpg 193w, http:\/\/ekbertfaas.net\/majorworks\/wp-content\/uploads\/2011\/08\/Towards-a-New-American-Poetics-inside-cover1.jpg 1152w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\u201cA book that should become the standard text on the subject in universities across the nation.\u201d (Novelist Joyce Carol Oates, personal correspondence)<\/p>\n<p>\u201cUndoubtedly the best contribution [to scholarly involvement with the poetry of the last three decades] comes from an, as it were, migrant scholar, now teaching at a Canadian university. Ekbert Faas\u2019s <em>Towards a New American Poetics<\/em> \u2026 is a unique combination of interpretation and dialogue between poets and their interviewer-interpreter. Poets presented comprise Charles Olson, Robert Duncan, Gary Snyder, Robert Creeley, Robert Bly, and Allen Ginsberg. While the late Olson could have only an essay dedicated to him and Duncan is represented only in an interview, both forms are available to the reader in the other parts of this fascinating volume. Such a union of forces as that of John Martin, a devoted West Coast private press owner and publisher, with a brilliant younger German scholar is a rare and most gratifying event.\u201d (H. Galinsky, <em>American Literary Scholarship<\/em>, 1980, 460)<\/p>\n<p>\u201cFaas\u2019 book seems destined to become a central document for anyone interested in the nature and direction of modern poetry.\u201d (<em>Booklist<\/em>, Oct.1, 1978)<\/p>\n<p>\u201cThe collection is essential to an understanding of contemporary poetic visions and the politics of poetry, as practised by almost all those dealt with here and their sometime rivals, particularly James Dickey. An excellent addition to a shelf of contemporary poetry.\u201d (<em>Los Angeles Times<\/em>, Dec. 6, 1978)<\/p>\n<p>\u201cI\u2019m intrigued by many of the ideas behind the new poetics, sometimes even convinced. The human animal has assumed a reckless domination of all life that threatens that life. Primitive societies have proved wiser in many ways than the civilizations that have all but swept them away. I can even agree that it is harder to write well in closed forms than it was a hundred years ago \u2026 Faas\u2019 book \u2026 shows on every page how much labor of thought and perception has gone into this anti-rationalist poetics.\u201d (Roger Mitchell, <em>Minnesota Review<\/em>, Spring 1979, 101-104)<\/p>\n<p>\u201cAn important addition to your library \u2026 Holding advanced degrees from European universities, his highly abstract approach is often original &#8230; Even the poets often find an amusing difference in the way his mind works from the way theirs do.<br \/>\nSo it\u2019s not an easy book to describe, and it\u2019s a book to be pondered, not skimmed, but I found the time I devoted to it highly rewarding, especially, perhaps, the Creeley section. \u2026 indispensible.\u201d (<em>Independent<\/em>, Mar. 6, 1981)<\/p>\n<p>\u201cAn important study of six poets who should be read as individuals but who are nonetheless relevant to this overwhelming context &#8230; Faas has written an introduction and an essay on Charles Olson, there is an interview with Robert Duncan, and then both an essay on and interviews with Gary Snyder, Robert Creeley, Robert Bly, and Allen Ginsberg. Faas is a good scholar, and thus he is not looking for a thesis to ride, but all six of the poets selected believe that poetry should be birthed from the primal self.\u201d (Max Westbrook, <em>Western American Literature<\/em>, 14, 2, 165-170)<\/p>\n<p>(Translation from the Dutch): \u201cWith diligent thoroughness, Faas has built a platform from which inspirations can take flight. &#8230; Faas describes this collection as an open-ended sequel to the study of the new art form as \u2018no longer of \u201cmimesis but of kinesis\u201d \u2026 it attempts to graph several further evolutions of the new art by focusing on some of its major practioners amongst American poets.\u2019 The essay\u00a0on Olson serves as a map, and the preamble as a guide through a rich forest of ideas, images and speculations by some of the best known names in American poetry. It is almost impossible to see, in any age, the aesthetic and poetic forest, for the individual trees, and in the current flowering of pluralism, it is even more difficult. This is a spectacular first step, however, and if for no other reason than its galaxy of stars, the book is bound to become a classic.\u201d (<em>Small Press Review<\/em>, 10-11, 69-70, Oct.-Nov. 1978)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cA book that should become the standard text on the subject in universities across the nation.\u201d (Novelist Joyce Carol Oates, personal correspondence) \u201cUndoubtedly the best contribution [to scholarly involvement with the poetry of the last three decades] comes from an, &hellip; <a href=\"http:\/\/ekbertfaas.net\/majorworks\/?p=48\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/posts\/48"}],"collection":[{"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48"}],"version-history":[{"count":16,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/posts\/48\/revisions"}],"predecessor-version":[{"id":439,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=\/wp\/v2\/posts\/48\/revisions\/439"}],"wp:attachment":[{"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/ekbertfaas.net\/majorworks\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}